William Snelling Hadaway - Jean Louise Hadaway

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dognose
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William Snelling Hadaway - Jean Louise Hadaway

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WILLIAM SNELLING HADAWAY
JEAN LOUISE HADAWAY

Some details of the artist/silversmith William Snelling Hadaway, and his wife, Jean Louise Hadaway:

William Snelling Hadaway (1872—1941) was an American artist who worked in Madras, India. He specialized in book illustration and in jewelry and metal design.[1] He trained in Massachusetts in the 1890s "at the Museum of Fine Arts, under C. Howard Walker and Miss Elizabeth Child."[2] He belonged to the Boston Art Students' Association.[3] After school "he spent two years studying in Sicily and Italy."[2][4] Beginning in 1907 he worked in India for the Madras School of Arts; he stayed until 1927.[1][5] He developed an expertise in Indian visual arts and published several works on the subject. His papers reside in the Victoria and Albert Museum.[1]

Life
William Snelling Hadaway was born in Malden, Massachusetts in 1872, son of Ephraim Locke Hadaway (1848—1914) and Helen Agnes Noyes Hadaway (1848—1935). He told his younger daughter that his first job was in a hardware shop where he "learnt the flashpoints of oils".
In 1893, aged 21, he married Julia Peck (1864—1937), and applied on 30 December 1893 in New York for a passport for himself and wife. They left for Italy on 4 January 1894. On 22 December 1894 he applied for an emergency passport in the US Embassy in Rome, in joint names, saying he was temporarily residing in Naples. He then returned to the US on this passport, without Julia, on 26 June 1895. Julia is listed as returning to New York on 2 September 1895 aboard the "Werra" from Verona. They divorced shortly afterwards.
Julia subsequently pursued a career as an artist under the name Julia Peck Hadaway. She is listed in the 1910 Census as living in Suffolk, Mass., divorced, aged 46. She specialised in Italian and local scenes; a Venetian canal scene (oil on canvas, 20 ½ x 11 ½ ) was for sale in 1992 in the Barridoff Galleries, Portland, Maine. She died suddenly, in Italy, in 1937.
On his return William enrolled in art school in New York where he met Jean Louise Carré (1865—1939), who had arrived in New York from Nova Scotia in September 1894 describing herself as a "tourist". She was French Canadian, her father had originally come from Guernsey, her mother had died in childbirth (hers) and her father 2 ½ years later. She was brought up by an uncle and his family in Pictou, Nova Scotia, and had an uncle in Guernsey.
They left the US together in October 1897, travelling to London as man and wife on the passport originally intended for Julia (fortunately the names were similar). They married 1904, in St Pancras, when their first two children (Jean Carré, known as Jack, 1898-c.1955, and Lesley Anne, 1899-1985) were aged 6 and 5. Their third child Hilary Stella Mary Snelling was born in 1905 and died in 1995.
William forged a highly successful artistic career in London, working as a designer, silversmith and teacher. Jean was also a jeweller and drawer of fashion designs, and sometimes they worked together. They moved to Bushey in 1902 or 3 where William studied with Hubert von Herkomer.
In 1907 William was offered the post of Superintendent of the Madras Government School of Arts, which he held to 1927. Under his regime the students made jewellery, furniture and other artefacts. William also wrote monographs on cotton printing in the Madras presidency and Indian metalwork, copies of which may be found in the Victoria and Albert Museum.
An insight into his character is to be found in an anecdote told in The Hindu of May 6, 2009. Sculptor Mani Nagappa is talking about his father Rao Bahadur M.S. Nagappa's life. His father became William Hadaway's assistant at the School after an unconventional job interview. As Mani Nagappa tells it: "It was mid-term at the Madras School of Arts when my father MS Nagappa wanted to join the institution as a student. The watchman would not let him in. My father hung around and drew a picture of the watchman, when he was sound asleep. When the principal Hadaway was leaving in his car, my father threw the sheet in. The Britisher [sic] was impressed with the sketch and appointed my father his assistant".
When an unidentified epidemic involving swelling broke out in Madras in the early 1900s the British government asked Hadaway to commission a painting of a victim to assist with diagnosis. Hadaway gave Nagappa the job, and he did a painting based on a cast of a dead victim. The painting was apparently of use to the medical team back in London.
They stayed in India until 1934, when they returned to the UK via New Zealand. They retired to Roquebrun on the French Riviera. Jean died in 1939; William visited the USA that year for the first time in 42 years. He died in 1941, trapped in Vichy France by the war.

References
1 - a b c Guide to the Archive of Art and Design, Victoria & Albert Museum. Taylor & Francis, 2001
2 - a b "William S. Hadaway." Bradley His Book, Vol. 2, No. 3 (Jan., 1897)
3 - Boston art guide and artists' directory., Boston: Wheat Pub. Co., 1893
4 - After returning from his European travels, Hadaway briefly kept a studio on School Street in Boston. (Bradley His Book Vol.2, No.3,, 1897)
5 - C. Hayavando Rao (1915), The Indian biographical dictionary (The Indian biographical dictionary. ed.), Madras: Pillar, OCLC 8733882

The above content is reproduced from Wikipedia: http://en.wikipedia.org/wiki/William_Snelling_Hadaway



Some examples of the work of William Snelling Hadaway and his wife, Jean Louise Hadaway:

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William Snelling Hadaway - London - 1904

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1905

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William Snelling Hadaway - London - 1906

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William Snelling Hadaway - London - 1906

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Jean Louise Hadaway - London - 1907

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Jean Louise Hadaway - London - 1907

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Jean Louise Hadaway - London - 1907

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Jean Louise Hadaway - London - 1908

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Jean Louise Hadaway - London - 1908


W.S. Hadaway entered his marks 'W.S.H' contained within an oblong punch, with the London Assay Office on the 11th July 1904.

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dognose
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Re: William Snelling Hadaway - Jean Louise Hadaway

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An enamelled necklace and pendant by W.S. Hadaway:

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The above items were exhibited at Montague Fordham's establishment at 9, Maddox Street, London in 1900. The showrooms of Montague Fordham were opened in 1899 specifically for the display and sale of modern English handwork.

Fordham's Gallery later became the Artificer's Guild, see: http://www.925-1000.com/forum/viewtopic ... ers#p96783

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dognose
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Re: William Snelling Hadaway - Jean Louise Hadaway

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I propose in this sketch to show how one typical piece is executed, and my selection is one in which all the parts are wrought, and which is only slightly decorated with enamel.

The bowl illustrated was presented to a well-known London specialist and it was suggested that the symbol of the Greek physician Aesculapius (a snake twisted round a stick) should be introduced into the design.

The bowl can be divided for convenience in describing it into three parts— the foot, the support of the bowl, and the bowl itself.

The foot is first hammered from a circular sheet of metal into an approximate profile or section of the finished form, all the hammering being done on the outside, with various “heads” or “stakes,” suitable to the work as it progresses—held firmly in a heavy vise for support underneath.

Personally I always use a steel hammer in preference to a horn or wooden mallet, as the harder substance has a tendency to make the silver more compact and dense when finished.

When an approximate shape is reached, the silver is securely fastened on to a large pitch block and the balls, five in number, are shaped by driving inward the silver between them with punches.

It may also be slightly driven outward from the inside, after it is taken off the pitch, by using a very large doming punch, but as little as possible should be done in this way, as every blow is stretching the metal instead of consolidating it.

When the foot is complete as to outline, a twisted wire enrichment to form a sort of molding is placed in a prepared groove near the outer edge. This wire was made like a rope of two strands, by twisting two single wires together, and a much finer rope made in the same way was wound around to produce a richer detail.

These protruding wires were inserted in the top of each ball of the foot through a hole drilled for the purpose and spread out on the inner side and so securely riveting the sticks into an upright position.

The snakes were shaped out of thick wire, the heads carved and modelled and two tiny beads soldered in place for the eyes. The whole snake was then wound around a stiff steel rod and slipped over the upright sticks and the tails carefully fitted over the balls and secured by a tiny rivet.

The next parts to be considered are the thick pieces of wire representing the “sticks” which support the bowl. These were made by hammering the end of the wire until it had spread and then drilling a hole in the center of it and soldering into this hole a short smaller piece of wire, which was left protruding.

Then a ring was fastened by five rivets to the five sticks at their tops to keep them securer in position and form a support for the bowl.

The bowl was hammered out from the flat sheet in the ordinary way, this shape being selected as at once graceful and exceedingly strong, the slight drawing-in and the curve of the outline giving it a rigidity not otherwise obtainable by any means so simple.

As the bowl was to be removable and the base was rounded, a narrow ring to enable the bowl to stand by itself was soldered in place near the bottom, and this ring fitted closely into the similar ring which secured the tops of the sticks.

There remains no other detail of the work except for the diamond-shaped enameled pieces which decorate the foot in the spaces between the balls.

These pieces were cut from thick pure silver and carefully shaped to fit the spaces. and the port to be enameled was sunk slightly, leaving a narrow edge.

The pattern, an interlaced snake, was then again sunk so that the difference in the thickness of the coat of enamel color would cause it to appear as a dark pattern on a lighter background.

Then the pieces were riveted in place—great care and a perfect fit being essential, so that the hammering of the rivets would not crack the enamel.

This, except for the polishing completed the bowl and stand.


Source: Notes on Some Modern Silver and Enamel Work - W.S. Hadaway (The Sketch Book - November 1906)

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Re: William Snelling Hadaway - Jean Louise Hadaway

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Silver Fruit Plates - Designed and Executed by W.S. Hadaway

About 10 inches in diameter. Part of a set of 12 plates, in which the form of each plate is the same, but details in each different.


This image is from 1906.

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dognose
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Re: William Snelling Hadaway - Jean Louise Hadaway

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LONDON

At the Grafton Galleries there is now on an exhibition of arts and crafts, organized by Mrs. Chas. Muller, with the laudable object of showing laymen the processes by chichi the articles are made and encouraging the public to buy direct from the artist. Among the exhibits are pottery by Mrs. G. Watts, beautiful jewelery by Mr. and Mrs. Hadaway, and examples of Indian basketry by Miss V. F. Robinson, which are attracting considerable attention.


Source: American Art News - 20th October 1906

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Re: William Snelling Hadaway - Jean Louise Hadaway

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Image
William Snelling Hadaway - London - 1907

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Re: William Snelling Hadaway - Jean Louise Hadaway

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Bowl and stand in silver, enamel and turquoise - Designed and worked by W.S. Hadaway and C. Hughes:

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William Snelling Hadaway - London - 1906

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Re: William Snelling Hadaway - Jean Louise Hadaway

Post by silverly »

1901 U K Census William S Hadaway aged 28 years listed as an enameler on copper/copper worker working on own account at home in Bushey, England. Wife Jean C aged 36 years is listed as an artist (followed by what looks like the word black? and then undecipherable) working on own account at home.

30 October 1941 William Snelling Hadaway death of a British Subject reported in Nice, France. He had died on 27 October in Monaco and was a British Subject by Naturalization.
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Re: William Snelling Hadaway - Jean Louise Hadaway

Post by dognose »

That's great information Pat, thanks for adding it to the topic.

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